Sunday, November 4, 2007

Exorcist II: The Heretic (1977)

When I think of Richard Burton and James Earl Jones, I think of two really great actors. So how the hell did they get into the mess that is Exorcist II?

While the movie asks if goodness brings evil upon itself, the movie's answer is a convoluted mess of nothing. Instead we get the Synchronizer, in which Father Lamont synchs up with little Reagan MacNeil via a hippie head band adorned with flashing lights. We are also treated to Reagan tap dancing to Lullaby of Broadway in the most disturbing see through hat, intercut with scenes of Father Lamont being chased and hit with stones while on his African trip to find the demon Pazuzu. Since the two are synched, the effect of the stones on Lamont's head causes Reagan to stagger and catapult off the stage during her tap dancing routine.

The film also features hordes of locusts, Dana Plato as a child who can't talk, a psychiatric institute with glass rooms which afford no privacy during treatment, Reagan's house of mirrors, and James Earl Jones in a giant locust suit. How could they go so wrong?

The most memorable moment of this movie is when Father Lamont tries to beat out a fire with a crutch. A crutch?!? How the hell is that going to help? In fact, if Lamont hadn't interfered, perhaps the flaming box of fire would have gone out after incinerating itself.

Instead Lamont's flailing crutch spreads fire throughout the basement passageway until Dr. Tuskin grabs a fire extinguisher to put out the flames. Yes, sad but true - there is a fire extinguisher in the hallway but Father Lamont chooses a crutch as a valid implement of fire fighting.

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